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"Feel The Love" (2022)
sonicADventures · "Remembering Greece" Pavel Wlosok Quartet with Ed Soph & Bob Sheppard (tapemix)
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"Storyteller Live" (2021)
sonicADventures · "High Five" Pavel Wlosok Trio & Rick Margitza (2021)
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"Never Too Old For Love" (2020)
sonicADventures · "My Foolish Heart" Wlosok/McGuirk/Riley Trio with Carly Johnson (2020)
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"Storyteller" (2018)
sonicADventures · "Speedster" Pavel Wlosok Trio with Rick Margitza (2018)
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"Respectfully Yours" (2017)
sonicADventures · "The Night Has A Thousand Eyes" Pavel Wlosok - solo piano (2017)
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"Smile Baby Smile" (2016)
sonicADventures · "Breathe" Pavel Wlosok Trio with Paul Bollenback
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"Alternate Reality" (2014)
sonicADventures · "Alternate Reality" Pavel Wlosok Trio with Donny McCaslin (2014)
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"Czechmate" (2013)
sonicADventures · "Brooklyn Minute" Pavel Wlosok Trio with Joel Frahm (2013)
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"Jubilee Suite Live At The Grey Eagle"(2012)
sonicADventures · "Speeding Ticket" Wlosok/McGuirk/Riley Trio (2012)
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Feel The Love was recorded in April 2019 by Jim Elenteny who captured all instruments in great detail. This album features two legendary jazz musicians. First, drummer Ed Soph who performed with Kenton & Herman big bands. Second, saxophonist Bob Sheppard who shared the stage with Chick Corea, Herbie Hancock, or Natlie Cole.

Storyteller Live captures a live two-set performance recorded to an eight-track during the quartet's only night at the Isis Music Hall in Asheville, NC. Performed on the very same day as the original studio album release of 2018, it gives fans an inside perspective on how our interactions and improvisations may differ when performing over the same song material within hours of each other.

Never Too Old For Love features guest vocalist Carly Johnson & includes over 90min of fresh-sounding jazz arrangements and original compositions on two discs. Recorded in 2017, released in March 2020, this recording is meant for wider audiences who cherish American Song Book and vocal Jazz.

Rick Margitza's
captivating tenor saxophone sound is beautifully captured here on this straight-ahead acoustic jazz album release entitled "Storyteller" consisting of seven fresh original compositions and a couple of lovely standard re-harmonizations. Miles Davis had a great taste in choosing his sidemen wisely and Rick delivers in spades.

"Respectfully Yours" features mainly on-the-fly arrangements of my favorite jazz composers. I had the comfort of recording it in my home studio, tuned the piano for each session, and took one month to put together over 2.5 hours of solo jazz piano tracks. From that I selected roughly 55min for your enjoyment.

"Smile Baby Smile" with guitarist Paul Bollenback, bassist Zack Page, drummer Evan Martin, and percussionist Byron Hedgepeth has been released on AUGUST 04, 2016 in REDUTA Jazz CLUB, Prague, Czech Republic. This was my forth release on New Port Line and one which features mostly happy music with a beautiful blend of Paul's guitar and my Fender Rhodes.

"Alternate Reality" with tenor saxophonist Donny McCaslin, bassist Mike Holstein, and drummer Marian Sevcik was my third release on New Port Line label and features an oustanding band. One of the most difficult mixing jobs I've ever encountered due to having a multitrack video recording going on simultaneously. Ultimately though, making music with these musicians was a lot of fun.

"Czechmate" with Brooklyn based master tenor and soprano saxophonist Joel Frahm, acoustic bassist Steve Haines, and drummer Bill Campbell features mostly my originals with one song by Joel Frahm. His lyrical, yet precise and controlled soprano sound is captured very well here. You will also hear some lovely rhythm section playing from both Steve and Bill as they lock in their timing senses beautifully.

"Live At The Grey Eagle: Jubilee Suite" with a legendary drummer John Riley and NYC based bassist Mike McGuirk was already recorded in 2006 during a short tour of Western NC. Using just one stereo vintage tube Neumann microphone, model SM2c, this recording captures the very raw sound of the trio during a live 60min performance inside a music club. No second takes, no repairs, just pure music performance in front of a live audience the old fashioned way.
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